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Look at Francis Coppola when he made Apocalypse Now.’ He doesn’t like it when I say that, but it’s the best compliment.
#BLUE IS THE WARMEST COLOUR NUDITY MOVIE#
But it was hard for a 19-year-old to work on this movie with such intensity. When I asked if she would work with Kechiche again, she thought for a moment. ‘Also, I’d rather do one hour of sex than have to eat all that food again!’ There’s a lot of it, because he just kept filming and filming, but I’m more scared when I see people killing each other than I am of them having sex. ‘I don’t think the sex is anything to be ashamed of.
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‘Lea and I became very close because she knew more about my body than my boyfriend,’ she said. ‘At the beginning, Lea and I were prudish and we’d wear robes between scenes. ‘He was working with two cameraman and I asked if they would take their clothes off, too but they didn’t want to. ‘It was very different from what he said,’ she added. He told me he was going to treat the sex scenes with good lighting, and they would be tasteful, and they’d run two minutes,’ she said. The love-making scenes are long, too - one runs for 11-12 minutes - but it’s powerful stuff, not gratuitous (although some women have objected to the graphic nature).Īdele said before filming started, Kechiche asked if she was comfortable with nudity. She explained, as we sat in the Paris sunshine: ‘Abdul stands there and lets you do a scene with food, where my screen father serves me seven or eight portions of spaghetti bolognese, one after the other - although the worst was eating toxic kebabs at eight in the morning. And it’s being screened here, at the BFI London Film Festival on October 14 and 17, before going on general release on November 15.Īdele said that Kechiche’s style was to work to a point where ‘everyone is exhausted’. There were mammoth queues at the film festivals in Telluride and Toronto, where it was shown to more critical acclaim. There’s a chance Adele could be nominated for a best actress Bafta - and possibly an Oscar (she’s been snapped up by Hollywood agent Hylda Queally, who represents Kate Winslet and Cate Blanchett). The sheer honesty of the performances were such that the Cannes Film Festival jury awarded the Palme d’Or not just to the director, as protocol dictates, but to Exarchopoulos and Seydoux as well. That’s what she felt, and because of the way we filmed it, I felt that too.’ ‘It’s painful to be dealing with a passion that can destroy you. ‘It’s a very deep love story,’ the actress said. After meeting again in a bar, they begin to fall in love. Later, Adele finds herself fantasising about Emma. She knocks around with a lad at college but feels she’s missing something - until she bumps into Emma, an artist (played by Lea Seydoux) whose hair is ‘bleu’. In the picture - one of the best ever about first love - we meet Adele playing a 15-year-old student (also called Adele). ‘He was searching for something, looking for something dangerous every day, on a film where we spent five months working seven days a week.’ ‘He didn’t want artifice,’ Adele told me of film-maker Abdellatif Kechiche.
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Powerful performance: Adele Exarchopoulos excels in the love story that was shown to critical acclaimĪdele Exarchopoulos said she and her co-star in the year’s most controversial movie, Blue Is The Warmest Colour, performed explicit sex scenes over and over again because the director wanted ‘everything to be authentic and dangerous’.